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40 Years Of Geraftaar: A Classic Bollywood Action Fiesta That Still Packs a Punch

  Starcast: Amitabh Bachchan, Kamal Hassan ,Madhavi, Poonam Dhillon, Ranjeet, Shakti Kapoor, Rabia Amin, Nirupa Roy, Jeevan, Om Shivpuri and...


 

Starcast: Amitabh Bachchan, Kamal Hassan ,Madhavi, Poonam Dhillon, Ranjeet, Shakti Kapoor, Rabia Amin, Nirupa Roy, Jeevan, Om Shivpuri and Kadar Khan. Special appearance: Rajnikanth


 Direction: Prayag Raaj


Music: Bappi Lahiri


While writing about this movie my memories whirled back to 1985, it was a typical sultry morning in Madhyamgram, then a sleepy suburb near Kolkata, where me, all of four years was gorging on a Jalajoga Icecream cone when my mother's childhood friend Sutapa aunty came with four tickets for this film which was a huge hit, and my mom, a huge Amitabh Bachchan fan gleefully accepted the offer. We watched it at Arati, a typical mofussil hall where ceetis and claps often overshadowed the dialogues. Everything was going hunky dory till the scene where Amitabh gets injured, I started shouting and crying "Amitabh morte paare naa"( Amitabh cant die !!), much to the annoyance of the audience sitting in the hall. However, not all were cross with me, a few members of Amitabh Bachchan fan club came over, ruffled my hair and gifted me their badge. They declared me the youngest and the most passionate fan of Amitabh ever. So, you see, I have a long, personal association with this film!! Lets dive into the film and its nitty gritties now. And I promise I will be impartial !! In mid 80's, Bollywood was all about larger-than-life heroes, over-the-top villains, and action sequences that made you go, “Whoa, did they really just do that?” Geraftaar, directed by Prayag Raaj, is one of those films that screams ’80s Bollywood in the best way possible. It’s got everything you’d expect from a masala flick of that era—drama, action, romance, and a hefty dose of bromance. With a star-studded cast led by Amitabh Bachchan (billed as 'and above all in a very special role), Kamal Haasan, and Rajinikanth in a very special appearance, this movie is like a time capsule of pure entertainment if viewed now. 

 

First off, the plot. Geraftaar is a story about two brothers, Karan (Amitabh Bachchan) and Kishen (Kamal Haasan), who get separated in childhood because of, a classic misunderstanding. Karan grows up to be a tough police officer, while Kishen ends up being a struggling actor in film crew. Throw in some convoluted but entertaining tropes of thrill and suspense, some peppy as well as soulful tracks by Bappi Lahiri, and you’ve got a recipe for emotional chaos and high-octane action. The story isn’t exactly groundbreaking—Bollywood in the ’80s loved its lost-and-found sibling tropes—but it’s executed with so much heart and energy that you can’t help but get sucked in.

 

Let’s talk about the cast because, this is indeed a dream team. Amitabh Bachchan, in his Angry Young Man prime, is phenomenal as Karan. He’s got that intense glare, those punchy dialogues, and a swagger that makes every scene he’s in electric. Kamal Haasan, on the other hand, brings a different kind of intensity as Kishen. He’s conflicted, perhaps a little chauvinistic if seen in todays context but nails the role of a guy caught between his circumstances. And then there’s Rajinikanth—oh man, Rajini as Big B's foster brother is just excellent. He’s not the main hero here, but every time he’s on screen, he steals the show with his charm and that signature style of smoking a cigarette only he can pull off. The camaraderie between them is pure gold. It’s like watching three musketeers in 80s Bollywood avatar.

 

The action in Geraftaar is peak ’80s Bollywood. We’re talking fistfights that defy physics and car chases that feel like they were choreographed by someone who just really loved explosions. Sure, some of the stunts look dated now, and you can totally spot the stunt doubles, but that’s part of the charm. There’s a raw, unpolished energy to the action that makes it feel real, even when it’s absurd. One scene that still gets me is the introduction of adult Amitabh in jail sequence—without spoiling too much, let’s just say it’s charming in the best way possible.

 

The music, composed by Bappi Lahiri, is another highlight. The songs are catchy, even if they pop up at the most random moments (classic Bollywood move). Tracks like “Aana Jana” and “Dhoop Mein Nikla Na Karo” are total chartbusters, and they’ve got that melody that Bappi Da was famous for. The background score, too, is dramatic and in-your-face, perfectly matching the film’s high-energy vibe.

 

Now, it’s not all perfect. The pacing can drag a bit, especially in the second half when the melodrama kicks into overdrive. There’s a romantic subplot with Poonam Dhillon that feels a bit tacked on, like the writers remembered at the last minute that they needed some love angles. And yeah, some of the dialogues are so over-the-top they’re almost comical now. But honestly, that’s part of what makes Geraftaar such a nostalgic gem. It’s not trying to be subtle or artsy—it’s just here to entertain, and it does that job well.

 

The villains, played by Kader Khan , Shakti Kapoor and Ranjeet, are delightfully evil. Kader Khan is slimy and cunning, with just enough charisma to make you hate him but also kinda enjoy his screen time. Ranjeet, as usual, is in his evil best. Their over-the-top villainy balances the heroism of our leads perfectly, making the final showdown super satisfying.

 

What really makes Geraftaar stand out, though, is its heart. Beneath all the action and drama, it’s a story about loyalty, family, and redemption. The bond between brothers and friends feel real, and the emotional beats hit hard, especially in the climax. Prayag Raaj does a solid job keeping all these elements together, even if the film feels a bit overstuffed at times.

 

So, should you watch Geraftaar which was released on September 13, 1985? If you’re a fan of ’80s Bollywood or just want to see three legends—Amitabh, Kamal, and Rajini—in one film, absolutely. It’s not a perfect film, but it’s a rollicking good time that captures the spirit of an era when bigger action was better. Pop it on for a weekend movie night, and you’ll be grinning by the end. 


By Ayushmaan Mitra


 

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