Direction. :- Asit Sen Music :- Laxmikant Pyarelal Starcast : Ashok Kumar, Dharmendra, Hema Malini, D K Sapru, Jagdeep, Sonia Sahni a...
Direction. :- Asit Sen
Music :- Laxmikant Pyarelal
Starcast : Ashok Kumar, Dharmendra, Hema Malini, D K Sapru, Jagdeep, Sonia Sahni and Abhi Bhattacharya
Introduction
Sharafat (released in May 1970), directed by Asit Sen, is a
poignant Hindi romantic drama that stands as one of the last successful films
in the director’s illustrious career. Released in an era defined by vibrant
masala entertainers, this film is notable for its sharp social commentary on
hypocrisy and morality, wrapped in a compelling narrative. Starring Dharmendra,
Hema Malini, and Ashok Kumar, it marks one of the early pairings of the iconic
Dharmendra-Hema Malini duo, whose chemistry became legendary in Bollywood. With
a screenplay by Nabendu Ghosh and dialogues by famous Krishan Chander, Sharafat
tackles the stigmatization of courtesans while delivering emotional depth,
memorable music, and strong performances. Asit Sen, known for classics like
Mamta and Safar, showcases his knack for crafting human stories, making
Sharafat a notable entry in 1970s Hindi cinema.
Storyline
The plot centers on Jagatram (Ashok Kumar), a
kind-hearted college professor who takes in Rajesh (Dharmendra), his daughter
Rekha’s (Sonia Sahni) fiancé, as a surrogate son. Unbeknownst to Jagatram,
Rajesh frequently visits a courtesan named Chanda (Hema Malini) under the
pretense of teaching her to read and write. Chanda, a spirited tawaif
(courtesan) searching for her long-lost father, harbors dreams of a respectable
life despite her societal ostracization. As Rajesh and Chanda grow closer,
their relationship evolves from transactional to emotional, complicating
Jagatram’s plans for Rajesh and Rekha’s marriage. When Jagatram discovers
Rajesh’s secret, he is shocked, but the narrative unfolds to reveal deeper
truths about Chanda’s past and her connection to those around her.
The story is a satire on society’s hypocritical
moral standards, exposing the double standards applied to women like Chanda
while men like Rajesh face lesser judgment. Themes of familial loss, and
societal prejudice are woven into a narrative that, while occasionally
melodramatic, remains engaging. The screenplay cleverly uses Chanda’s quest for
her father to tie together the characters’ arcs, though some plot points rely
on convenient coincidences. Despite these, the emotional stakes and moral
dilemmas keep the audience invested, culminating in a resolution that
challenges conventional notions of “sharafat” (honesty/respectability).
Direction and Other Technical Departments
Asit Sen’s direction is a highlight, showcasing his
ability to blend emotional storytelling with social critique, a hallmark of his
earlier successes like Khamoshi and Safar. In Sharafat, one of his last
commercially successful films, Sen handles sensitive themes with nuance,
avoiding overt sensationalism despite the controversial subject matter. His
pacing is deliberate, allowing character moments to breathe, though some
comedic subplots feel dated. The cinematography captures the vibrant yet gritty
world of Chanda’s kotha using lighting to underscore emotional shifts. The
editing is functional but occasionally uneven. Production design, particularly
the opulent kotha sets, adds authenticity, while costumes—especially Hema
Malini’s traditional attire—enhance the visual appeal. Sound design supports
the film’s mood, amplifying the emotional weight of key scenes. Overall, the
technical aspects are solid.
Music
The music, composed by Laxmikant-Pyarelal with
lyrics by Anand Bakshi, is a standout, seamlessly integrating with the
narrative. The mujra song Sharafat Chhod Di Maine, sung by Lata Mangeshkar, is
a blockbuster hit, reaching 9th on the 1970 Binaca Geetmala list. Picturized on
Hema Malini, it blends sensuality with heartbreak, showcasing her
Bharatanatyam-influenced dance skills. Other tracks, like Pehle Na Dekha Jaise
Kisi Ne,and Mera Rasta Rok Rahi are emotionally resonant, enhancing the
romantic and dramatic moments. The background score complements the film’s
tone, amplifying its satirical and poignant elements. The songs not only
entertain but also advance the plot, particularly in depicting Chanda’s inner
conflict and societal position, making the soundtrack a vital component of
Sharafat’s appeal.
Performances
Hema Malini delivers a compelling performance as
Chanda. Her dance sequences are a highlight, but her emotional scenes,
particularly those depicting her yearning for respectability, showcase her
acting potential early in her career. Dharmendra is charming as Rajesh,
bringing youthful energy and sincerity to a morally complex character. Their
chemistry, evident in one of their first collaborations, lays the groundwork
for their iconic on-screen partnership. Ashok Kumar is excellent as Jagatram,
portraying the professor’s compassion and moral dilemma with gravitas. Sonia
Sahni is adequate as Rekha, though her role is underwritten. Jagdeep’s comedic
track as Chanda’s aide is hit-or-miss, amusing in parts but grating for some
audiences. Supporting actors, including D.K. Sapru, add depth to the ensemble.
The performances collectively elevate the film, making the characters’
emotional journeys relatable.
Conclusion
Sharafat (1970) is a compelling blend of romance, drama, and social satire that remains a significant work in Asit Sen’s filmography, marking one of his last successful directorial ventures. Hema Malini and Dharmendra’s early pairing adds star power, their chemistry hinting at the legendary status they would achieve together. While some elements, like the comedic subplot, feel dated, Sen’s nuanced direction and the cast’s heartfelt performances make Sharafat a rewarding watch. For fans of classic Bollywood, it offers a nostalgic yet thought-provoking experience.
-By Ayushmaan Mitra
No comments