In a cinematic landscape increasingly saturated with formulaic storytelling, filmmaker Kankana Chakraborty emerges with a stirring and...
In a cinematic landscape
increasingly saturated with formulaic storytelling, filmmaker Kankana Chakraborty
emerges with a stirring and cerebral narrative in her latest offering,
“Re-Routing” — a 35-minute psychological thriller that is as intimate as it is
intense. A haunting meditation on isolation, vulnerability, and the redemptive
power of empathy, Re-Routing intricately maps the emotional terrain of two
individuals adrift in their cloistered existences.
Barun Chanda, a veteran of
Indian parallel cinema, brings a magnetic presence to Rerouting with his
nuanced and restrained performance. Known for his iconic role in Satyajit Ray’s
Seemabaddha, Chanda lends gravitas and emotional depth to the film’s complex
psychological landscape.
Set throughout a single night,
the film explores a seemingly incidental encounter between two souls tethered
to their inner turmoil. As time unfolds in this nocturnal tapestry, layers of
self-deception, buried trauma, and emotional inertia are peeled away, revealing
a rare opportunity — the chance to re-navigate not just the night, but the
course of their lives.
The visual language, steeped in
chiaroscuro and psychological nuance, is captured with remarkable finesse by
cinematographer Mridul Sen. The taut and rhythmic editing by Amitava Dasgupta
heightens the film’s emotional tempo, while Joy Sarkar’s evocative score
breathes an eerie tenderness into the narrative, amplifying every flicker of
transformation.
With an A-list core team and a
narrative that defies conventional expectations, Re-routing has garnered
well-deserved recognition on prestigious platforms. The film had the honour of
opening the 22nd Kalpanirjhar International Short Fiction Film Festival at Max
Mueller Bhavan, marking a moment of pride for independent Indian cinema. It was
also presented at a Special Screening at the Satyajit Ray Film and Television
Institute (SRFTI) and featured at the Creative Arts Academy, TCA Film Society
further affirming its place within the canon of thought-provoking, high-concept
short fiction.
Kankana Chakraborty’s vision is
not merely to entertain, but to evoke — to gently unmoor the viewer from
familiar narratives and anchor them into an introspective voyage. Re-routing is
a film that lingers, echoing long after its final frame, reminding us that even
in the most suffocating corridors of the human condition, there exists the
possibility of change—of—rerouting.
Kankana Chakraborty (Director)
says, “Re-routing’ was born from a quiet question — what happens when two
people, each imprisoned in their own emotional labyrinths, collide by chance?
For me, this film is not just a psychological thriller; it is a reflection on
the possibility of grace in the darkest corners of the human experience. I
wanted to explore how a single night, a fleeting encounter, can serve as a
catalyst for emotional recalibration — a re-routing of destiny itself."
Barun Chanda, the Lead Actor said: "There was
something deeply unsettling and compelling about the character I play in
‘Re-routing'. He is a man of few words, yet carries an entire storm within. As
an actor, it was a rare opportunity to inhabit a space where silence speaks
louder than dialogue. Kankana’s vision demanded restraint, introspection, and
above all, honesty it was a privilege to be part of a narrative that doesn’t
scream, but echoes long after it ends.”
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