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FILM REVIEW: Insidious: The Red Door

More of a parody than a serious horror film Cast: Patrick Wilson, Ty Simpkins, Rose Bryne, Lin Shaye, Andrew Astor Rating: 2/5 The fir...


More of a parody than a serious horror film

Cast: Patrick Wilson, Ty Simpkins, Rose Bryne, Lin Shaye, Andrew Astor

Rating: 2/5

The first jump scare actually scares you, but the jump scares that follow are nothing short of dumb and cheap ways to evoke fear in the audience. Patrick Wilson’s directorial debut seemed to be going in the right direction for a couple of minutes till it wavers. Shot on 35mm film or maybe it was emulated to look like 35mm film, Insidious: The Red Door throws around the theme of generational trauma like most horror films do, but does one thing wrong: they never actually explore it properly; the Further was interpreted by screenwriters Leigh Whannell and Scott Teems as a metaphor for generational trauma and that seems like a good idea as long as it’s executed properly. Patrick Wilson is a great actor, especially in his work in indie films and he could’ve used all his Broadway training alongside his training in horror films and indie films and made this film a good film, and it looked like he was trying but he failed.

To put their demons to rest once and for all, Josh Lambert and a college-aged Dalton Lambert must go deeper into The Further than ever before, facing their family’s dark past and a host of new and more horrifying terrors that lurk behind the red door. What separated Insidious: The Red Door from being as good as the first Insidious is the lack of a sense of driving force behind it. You never understand what the film is trying to convey or what the director wants to convey with this. It seems like it was directed by an AI who was fed every generic horror film made after the 90s. The screenplay seems to be 10 pages long because nothing ever happens in the film, every scene is stretched to its max. The cinematography is the only good thing with some interesting editing choices like that scene in the beginning when Wilson’s character texts his son. 

Running for an excruciatingly painful 107 minutes, Insidious: The Red Door fails to find its footing in a genre full of both mediocre and great films.

 

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